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An ambitious, panoptic novel about exile as both condition and state of being by a major young Cuban writer
The characters in False War are ambivalent castaways living lives of deep estrangement from their home country, stranded in an existential no-man’s land. Some of them want to leave and can’t, others do leave but never quite get anywhere.
In this multivoiced novel, employing a dazzling range of narrative styles from noir to autofiction, Carlos Manuel Álvarez brings together the stories of many people from all walks of life through a series of interconnected daisy chains. From Havana to Mexico City to Miami, from New York to Paris to Berlin, whether toiling in a barber shop, roaring in Yankee Stadium, lost in the Louvre, intensely competing in a chess hall in Cuba, plotting a theft, or on a junket for émigré dissidents in Berlin, these characters learn that while they may seem to be on the move, in reality they are paralyzed, immersed in a fake war waged with little real passion.
The fractured narrative, filled with extraordinary portraits of ordinary people, reflects the disintegration that comes from being uprooted. At the same time it is full of tenderness, moments of joy and profound release. False War confirms Carlos Manuel Álvarez as one of the indispensable voices of his generation in Latin American letters.
Carlos Manuel Álvarez is the author of The Tribe and The Fallen. He has been included in Granta’s “Best of Young Spanish-Language Novelists” as well as Bogotá39’s best Latin American writers under 40. He lives in New York City.
Natasha Wimmer is the translator of nine books by Roberto Bolaño, including The Savage Detectives and 2666. Her recent translations include Nona Fernández’s Voyager and Álvaro Enrigue’s You Dreamed of Empires.
“What happens when exile becomes style, and style becomes a kind of home? False War is that question asked with tenderness, fury, and precision.”—Carlos Fonseca, author of Austral
“The dissidents, migrants, and exiles of False War travel the world in search of some kind of refuge, but the cities they arrive in are places of purgatory, allegorical waystations of the permanently displaced, where everyone is an outsider, caught between landfalls, hurrying nowhere: ‘Brightness inside, darkness outside—until we crash.’ This is a timeless and urgent work, in turns lyrical, hardboiled, tender, fragmented. It maps a way forward for the twenty-first century novel.”—Jeet Thayil, author of Names of the Women
“I was blown away by this novel. Nothing in the story is reducible. Its formal ambition is met by its execution, and the effect is staggering. Álvarez is an immense writer, a generational talent, and this, for me, is a generation-defining work.”—Michael Magee, author of Close to Home
“Human displacement is the storm surge of our century, yet we only hear of the crest. Behind that swell rush the sequels of individual souls on the move, swirling, unravelling, adrift. Álvarez reels us into those milieus with such engaging detail we can’t help becoming comrades to his fugitives. A brilliant work of enchantingly real voices.”—DBC Pierre, author of Meanwhile in Dopamine City
“Carlos Manuel Álvarez is a tremendously exciting and engaged writer, and his fiction and essays never stray far from the world.”—Literary Hub
- Publisher: Graywolf Press
- Publish Date: November 04 2025)
- Pages: 272
- Language: English
- Type: Paperback
- EAN/UPC: 9781644453636
- Dimensions: 5.25 x 1 x 8.25 inches | 1 pounds
- BISAC Categories: Fiction/Literary, Social & Political Themes-Exiles & Immigrants, World Literature-Latin America, Family Life.
